Iron Leg Radio Show Episode #19

Example

Beep beep beep beep…..

Playlist

Intro/Action Scene – Hawkshaw/Mansfield (KPM)
Byrds – Bad Night at the Whiskey (Columbia)
Brian Auger and Julie Driscoll – Save Me (Polydor)
Captain Beefheart – Who Do You Think You’re Fooling (A&M)
Chris Farlowe – Out of Time (Immediate)
Chris Farlowe – Baby Make It Soon (Immediate)
The Coopers – Didn’t I (White Whale)
The Hassles – You Got Me Hummin’ (UA)
Standells – Why Did You Hurt Me (Tower)
The Yardbirds – No Excess Baggage (Epic)
Yardbirds – Great Shakes Commercial

Hardy Boys – Here Come the Hardys (RCA/Dunwich)
Tradewinds – Mind Excursion (Kama Sutra)
Small Circle of Friends – Kind of Wasted Without You (A&M)
Pleasure Faire – Morning Glory Days (UNI)
Puppet – Best Friend (Date)
James Griffin – Miracle Worker (Viva)
Fun and Games – Don’t Worry Baby (White Whale)
Free Design – Bubbles (Project 3)
Brian Hyland – The Joker Went Wild (Philips)
Grin – White Lies (Spindizzy)
Blades of Grass – I Love You Alice B Toklas (Jubilee)
I Love You Alice B Toklas Movie Promo

Beaver and Krause – People’s Park 45 (WB)
Ananda Shankar – Light My Fire (Reprise)
The Fire Escape – The Trip (GNP Crescendo)
Cher – Hey Joe (Imperial)
Holy Mackerel – Scorpio Red (Reprise)
Living Strings – San Francisco Nights (Camden)
Mickey Newbury – Just Dropped In (To See What Condition My Condition Was In) (RCA)
Peggy Lipton – The Lady of the Lake (Ode)
Mars Bonfire – Lady Moonwalker (UNI)
Scott Walker – Mrs Murphy (Philips)
Terry Reid – Stay With Me (Epic)
Van Dyke Parks – Datsun Commercial

Listen/Download -Iron Leg Radio Show Episode 19 – 176MB/256kbps

Greetings all.

I hope all is well in your part of the world.

It’s time once again for the Iron Leg Radio Show, episode 19!

This time around we have a great one for you, with three long sets of very groovy music.

We get things started with a bunch of garage and other rock, roll on into a set of sunshine and lighter fare, and close things out with a long, trippy grouping of sounds.

As always, I hope you dig it, and I’ll be back next week with something cool.

Peace

Larry

 

Example


PS Head over to Funky16Corners

Easy Peasy, But Not Too Cheesy…

Example

Example

Ron Frangipane

Example

Listen/Download – Ron Frangipane and His Orchestra – Venus

Listen/Download – Topanga Canyon Orchestra – Crimson and Clover

Greetings all.

I hope the new week finds you well.

I should start off by mentioning that you may have noticed that the graphics have disappeared from some of the old posts.

Thanks to having to change domains at extremely short notice, both Funky16Corners and Iron Leg suffered some interwebs damage last week.

The Iron Leg problems were much smaller, due to the fact that this is still a WordPress-hosted blog, so the basic framework and URL remained untouched, and only graphics and sound files (and the locations thereof) were affected.

I am restoring the links on the old content as time allows.

The tunes I bring you today are a couple of very tasty examples of late-60s, exploit-kitsch, in which mainstreamers applied their orchestral talents to the pop hits of the day.

Sometimes, the results were unfortunate, revealing the decided non-hipness of the creators in short order.

I have lots of both, since I am pathologically incapable of passing up stuff like this when I’m out digging.

Other times – the rarer ones – where the orchestrators in question were more talented (and hip) the music was quite groovy indeed.

The two tracks I bring you today are particularly nice examples of those rare moments when the pieces all fell into place, and the sounds were cool.

The first comes from a 1969 album by the Topanga Canyon Orchestra.

The guiding light in this case was an arranger named Norman Ratner (who also worked on Mark Eric’s epic album of Brian Wilson worship, as well as Don Grady’s Canterbury 45), and despite some very unhip saxophone in the beginning, their version of Tommy James and the Shondells’ ‘Crimson and Clover’ manages to get just a little bit far out, with some groovy a-go-go combo organ that sounds like it dropped right out of a movie soundtrack.

New York-based arranger Ron Frangipane (who did the orchestrations on John and Yoko’s ‘Sometime In New York City’) takes a slightly more substantial approach with his version of Shocking Blue’s ‘Venus’.

The arrangement is a bit closer to the source material, and toward the end of the cut things get genuinely trippy with some crazy psychedelicization.

The Frangipane LP, ‘Rated X For Excitement’ actually has more bang for the buck, and can be found rather cheaply.

Ironically, the Topanga Canyon Orchestra LP, which only has a few interesting tracks tends to be much more expensive.

I hope you dig the sounds and I’ll be back next week with more.

Peace

Larry

 

Example

PS Head over to Funky16Corners for some soul.

Iron Leg Radio Show Episode #9

Example

Beep beep beep beep…..

Playlist

Hawkshaw/Mansfield – Action Scene (KPM)
Brenda Lee – Is It True (Decca)
Nat Stuckey – Listen To the Band (RCA) Echoes In the Wind
Nat Stuckey – In the Year 2525 (RCA)
Fabulous Thunder – Jealous of You (Tight)
Dino Desi and Billy – I’m a Fool (Reprise) Lee Hazelwood
Dino Desi and Billy – The Rebel Kind (Reprise)
Pinking Canandy – Hello Hello (Uni)
Pinkiny Canandy – Mr Keiley’s Roof (Uni)
Pinkiny Canandy – Goodbye Goodbye (Uni)
The Knack – Time Waits For No One (Capitol)
The Knack – I’m Aware (Capitol)
Paul Revere & the Raiders – Pontiac Judge Commercial

Hub Kapp and the Wheels – Radio Spot
Hub Kapp and the Wheels – Sigh Cry Almost Die (Capitol)
Hub Kapp and the Wheels – Boney Moronie (Capitol)
Tom Northcott – 1941 (WB)
Tom Northcott – Blackberry Way (Uni)
Tom Northcott – Iron Pines (Uni)
Frankie Valli – The Sun Ain’t Gonna Shine Anymore (Philips)
John Frangipani – Jingle Jangle (Mainstream)
Dave Van Ronk and the Hudson Dusters – Clouds (Both Sides Now) (Verve)
Carnation Instant Breakfast Commercial

Enoch Light and the Light Brigade – Over Under Sideways Down (Project 3)
Keith Mansfield – Boogaloo (Epic)
Sweet Charity OST – The Pompeii Club (Rich Mans Frug) (Decca)
Walter Wanderley – Kee-Ka-Roo (Verve)
Dave Grusin – Ascent To Virginity (ABC)
Mr Jamo – Shake What You Brought With You (SSS Intl)
Henry Mancini – The Theme From the Party (vocal) (RCA)

Listen/Download -Iron Leg Radio Show Episode 9 – 156MB/256kbps

Greetings all.

Welcome back for the ninth go-round in the Iron Leg Radio Show saga.

This time out we have all kinds of goodies for your earholes, including some unusual country-pop, beat, late-60s power pop, prime Canadian folk-rock and a long set of explosive now sound goodness.

If you haven’t yet picked up last month’s (or any of the other previous) episode on MP3, please do yourself a favor and grab it (them).

I hope you dig this episode, and I’ll see you all next week.

See you next Monday.

Peace

Larry

 

Example


PS Head over to Funky16Corners

Iron Leg Radio Show Episode #5

Example

Beep beep beep beep…..

Playlist

Opening – Action Scene – Hawkshaw/Mansfield (KPM)

Pink Floyd – Candy and a Currant Bun (Harvest)
Los Bravos – Going Nowhere (Press)
Sagittarius – Another Time (Columbia)
Phyllis Brown – Another Time (Barnaby)
Ronnie Aldrich – Ride My See Saw (London)
The Syn – Grounded (Deram)
Terry Reid – Superlungs (Epic)
Beatles Yellow Submarine Promo

The Peddlers
Roy Phillips (organ, vocals), Trevor Morais (drums) and Tab Martin (bass)
Peddlers – What’ll I Do (45 version) (Philips)
Peddlers – On A Clear Day (Epic) From Three In a Cell
Peddlers –Pentathlon (CBS) From Freewheelers written by Keith Mansfield
Peddlers – Walk On the Wild Side (Philips) From Live at the Pickwick
Peddlers – I’m Coming Home (Epic) From Three In A Cell
Peddlers – Ain’t No Big Thing (CBS) From Freewheelers

Wildweeds – Someday Morning (Chess)
Klowns – Yellow Sunglasses (RCA)
Lee Mallory – Many Are the Times (Valiant)
Holy Mackerel – Scorpio Red (Reprise)
The Hardy Boys – I Can Hear The Grass Singin’ (RCA)
The Robbs – Bittersweet (Mercury)
Archies – Melody Hill (Calendar)
Tommy Boyce and Bobby Hart – Smilin’ (Aquarius)
Tommy Boyce and Bobby Hart – I’ll Blow You a Kiss In the Wind (Aquarius)
Cowsills – Milk Promo Spot

Listen/Download -Iron Leg Radio Show Episode 5 – 140MB/256kbps

Greetings all.

Welcome to the fifth edition of the Iron Leg Radio Show.

I have some very groovy stuff lined up for you this month, including the usual psychedelic odds and sods, a nice set of sunshine pop and a set devoted to the sounds of one of my very favorite groups,  the Peddlers.

As always, I hope you dig the show, and I’ll be back next week with something else ear delicious.

Peace

Larry

 

Example


PS Head over to Funky16Corners

Two Tastes of Moog from the Electronic Concept Orchestra

Example

Moog and his monster.

Example

Listen/Download – Electronic Concept Orchestra – Rock Me

Listen/Download – Electronic Concept Orchestra – Grazing In the Grass

Greetings all.

I hope all is well in your part of the world, and that you all had a chance to pull down the ones and zeros on last week’s edition of the Iron Leg Radio Show. It has – as the previous three episodes – been moved to the ILRS Archive (see tab in blog header…).

The tune I bring you today is something unusual and cool that I grabbed recently.

While I’m always on the lookout for easy/kitsch stuff, especially when it treads (warily or not) into what we record people might describe as ‘legitimate’ territory, i.e. rock, psyche or even soul and funk.

I’ve found Enoch Light and his various and sundry offshoots to be a rich source of extra groovy sounds, from unusual takes on 60s rock to serviceably funky versions of James Brown tracks.

One segment of the easy/kitsch/exploit world that I’ve never been a huge fan of is Moog records.

Though I dig the Moog when used as an accent on rock (or other) records, I’ve always thought that as a featured instrument it lacked a certain musicality. It’s novelty in the space age 60s made it a favorite addition to soundtracks, but with rare exception (like Dick Hyman’s epic take on James Brown’s ‘Give It Up or Turn It Loose’) was it ever used to create anything I’d want to listen to more than once in an irony-free environment.

That said, when I do find Moog albums in the field, I grab them because first and foremost I am an inveterate vinyl junkie, and on the off chance that they might turn out to be worth a couple of bucks and could be flipped.

When I ‘Moog Groove’ by the Electronic Concept Orchestra I recognized it right away as something I’d seen listed in crate diggers ‘finds’ posts on a soul/funk board I frequent, and since the price was right I grabbed it, tossed it on the keeper stack and took it home.

Good thing too, since once I dropped the needle on the record (and took a look at the back cover) I realized that this was no ordinary Moog set.

First off, ‘Moog Groove’ was pleasing to the ears in a way that a lot of Moog albums aren’t, i.e. it was clearly recorded by musicians with a modicum of taste and enough skill with the synthesizer to apply it fairly tastefully, i.e. it never ended up sounding like a 23rd century robot orgy.

Secondly, while perusing the back cover I was very pleased indeed to discover that the drummer on the session was one of my favorites, that being Morris Jennings Jr., a longtime member of Ramsey Lewis’s band and a fixture on Cadet Records sessions in the 60s and 70s. Why he was practically the only musician mentioned on the album is a mystery. He wasn’t particularly well known, nor – though it has a couple of nice breaks on it – is the album a drummers tour de force.

I have found a reference that seems to indicate that there were other Cadet sessioners involved in the sessions, including keyboardist Eddie Higgins (who plays the Moog on the ECO’s records) and guitarist Phil Upchurch. This may indicate that these albums were recorded in Chicago, but I can’t say for sure.

What it does have going for it is a nice amalgamation of late 60s pop with the synthesizer worked into the mix as organically as possible.

The selection of covers is both appropriate (i.e. no country Moogification) and interesting.

The two tracks I bring you today are my favorites from the album.

You get to hear a nice take on Hugh Masekela’s ‘Grazing in the Grass’, with the Moog applied with an organists touch, as well as a cool take on Steppenwolf’s ‘Rock Me’. Both tunes also give you a taste of Jennings’ talents as a percussionist.

The Electronic Concept Orchestra released at least two other albums between 1969 and 1973.

I hope you dig the sounds, and I’ll be back next week.

Peace

Larry

 

Example


PS Head over to Funky16Corners for some soul.

Iron Leg Radio Episode #4!!

Example

Beep beep beep beep…..

Playlist

Opening – Action Scene – Hawkshaw/Mansfield (KPM)

Jacques Dutronc – Et Moi Et Moi Et Moi (Vogue)
Ian and the Zodiacs – Na Na Na Na Na (Philips)
Rotary Connection – Burning of the Midnight Lamp (Cadet Concept)
Living Strings – Somebody To Love (Camden)
Litter – My Little Red Book (Probe)
Jethro Tull – Fat Man (Reprise)
Clear Light – Think Again (Elektra)
American Breed Alone Phone Spot

Glenn Campbell – Guess I’m Dumb (Capitol)
Brenda Lee – The Crying Game (Decca)
Colin Blunstone – Caroline Goodbye (Epic)
Enoch Light and the Glittering Guitars – You Showed Me (Project 3)
Linda Ronstadt – She’s a Very Lovely Woman (Capitol)
Love – The Red Telephone (Elektra)
Monkees – Porpoise Song -  45 edit (Colgems)
Pearls Before Swine – I Saw the World  – 45 edit (ESP Disk)
7-UP Commercial

Ascots – Sookie Sookie (Super)
Barbarians – Are You a Boy or Are You a Girl (Laurie)
Changing Times – How Is the Air Up There (Philips)
Music Machine – Trouble (Original Sound)
Peanut Gallery – Out of Breath (Canterbury)
Kingsmen – Trouble (Wand)
Kitchen Cinq – Determination (LHI)
Wayne Logiudice – Come On Lets Get a Little Action On (Philips)
Lindy Blaskey and the Lavells – You Ain’t Tuff (Space)
Guilloteens – Hey You (HBR)
Vanilla Fudge Coke Commercial

Listen/Download -Iron Leg Radio Show Episode 4 – 149MB/256kbps

Greetings all.

The middle of August is here, and that means it’s time again for the Iron Leg Radio Show.

This time out we have even more of the groovy stuff that you’ve come to expect from Iron Leg, with the garage, and the Euro punk, and the sunshine pop, kitsch, freaks (beaten well), sophisticated musical musings, pa-sike-o-modelica and of course anything else that pops.

So, pull out your ears, prepare them for liftoff and pull down the ones and zeros.
See you next week.

Peace

Larry

 

Example


PS Head over to Funky16Corners

ILDT Redux – The Au Go Go Mixes

Example

Iron Leg Digital Trip Number Five – The Party

Playlist

1 Henry Mancini (The Party OST) – The Party (vocal) (RCA)
2 Keith Mansfield – Boogaloo (CBS)
3 Enoch Light – Over Under Sideways Down (Project 3)
4 Moe Koffman – Dr Swahili (Jubilee)
5 Mr Jamo – Shake What You Brought With You Pt1 (SSS Intl)
6 Dick Hyman – The Liquidators (Command)
7 Walter Wanderley – Kee Ka Roo (Verve)
8 Sweet Charity OST – The Pompeii Club (Rich Man’s Frug) (Decca)
9 John Philip Soul & his Stone Marching Band – That Memphis Thing (Pepper)
10 Andre Brasseur – The Duck (Palette)
11 Tony Newman – Soul Thing (Parrot)
12 Jimmy Caravan – Look Into the Flower (Vault)
13 Vic Mizzy (Don’t Make Waves OST) – Vox Box (MGM)
14 New London Rhythm & Blues Band – Soul Stream (Vocalion)
15 Dave Grusin (Candy OST) – Ascension to Virginity (ABC)
16 Henry Mancini (the Party OST) – The Party (instr) (RCA)

Listen/Download 46MB Mixed MP3 – MP3

Download 46MB ZIP File-

Example

Iron Leg Digital Trip #32 – A Not Unpleasing Splash of Colour

Playlist
Keith Mansfield – Soul Thing (Pronit)
101 Strings – Jesus Christ Superstar (edit) (Alshire)
Jimmy Smith – The Cat (45 edit) (Verve)
Enoch Light – C’Mon and Swim (Command)
Living Strings – Out and About (Camden)
Mariano and the Unbelievables – Sunshine Superman (Capitol)
Lady Nelson and the Lords – Soho Strut (Dunhill)
Louis Bellson – The Eel (Project 3)
Quincy Jones – Mohair Sam (Mercury)
Lloyd Green – Steel Blue (Chart)
Mike Sharpe – Spook A Lou (Liberty)
Dave Pike Set – You’ve Got the Feeling (Wagram)
Vic Mizzy – Daybreak In Malibu (MGM)
Andre Brasseur – Pow Pow (MFP)
Virtues – Meditation of the Soul (Andee)
Enoch Light – Bond Street (Project 3)
New London Rhythm and Blues Band – Soul Mate (Vocalion)
Freddie Scott and the Seven Steps – It’s Not Unusual (Marlin)
101 Strings – Spinning Wheel (Alshire)
Mohawks – Baby Hold On Pt2 (Cotillion)
Moe Koffman – Funky Monkey (Jubilee)
US Air Force Academy Falconaires – Day Tripper (USAFA)
Keith Mansfield – Funky Fanfare (KPM)

Listen/Download 102MB/256K Mixed Mp3

Download 77MB Zip File

Greetings all.

As the fam and I will be away for a combination vacation, DJ excursion (I’ll be spinning funk and soul for two nights in western Massachusetts, see Funky16Corners for the deets), I have decided to repost two very simpatico mixes for you to chew on while I’m away.

Iron Leg Digital Trips numbers 5 and 32 really do belong together, with the latter being intended as a sequel to the former.
They are my take on the Au Go Go vibe of the swinging 60s, with all manner of groovy stuff stitched together from soundtracks, library music, jazz, pop, soul, funk and kitsch.

You can read the original manifesto here.

So mix yourselves up a cocktail, pull down the ones and zeros and I’ll be back next week with some garage punk.

Peace

Larry

 

Example


PS Head over to Funky16Corners for some soul.

Dance the Slurp!!

Example

Slurp, slurp…POW!!!!

Example

Listen/Download – 7-11 – Dance the Slurp

Greetings all.

I hope you’re all well.

I’d like to start by telling you that the mighty soul singer Solomon Burke died this past weekend, and if you dig him (or want to) head on over to Funky16Corners to check out my tribute.

In another bit of Funky16Corners synchronicity, the tune I bring you today is something that, no matter how many gallons of Slurpee I have ingested in my time on the earth, I would never have discovered were it not for a now famous mix of obscure funk 45s by DJ Shadow and Cut Chemist, known as Brainfreeze, which turned this 45 from a nickel and dime flea market oddity into a collectible.

The record in question is not, however funk, nor is it funky, or particularly soulful.

What is is, is an odd bit of au-go-go product placement, wherein the good people of the Southland Corporation, i.e. 7-11, long thought of as a repository of soft drinks, beef jerky, pornography, cigarettes and loitering (in other words a microcosm of suburban America), decided to musical-ize a paen to the wonderfulness of sugary slush, hoping that their customers, existing and future, would be taken away by the rapture (and the sugar, natch) and start dancing.

I have no inkling who the performer on this 45 is, but it is groovy, and what is a great record collection if not decorated with the fillagree of a great vinly oddity?

So, take off your pants, get out your straws and dance the slurp people.

It’s the only sane thing to do.

See you later in the week.

Peace

Larry

 

Example

PS Head over to Funky16Corners for a tribute to the late Solomon Burke.

Free Design x 6 : Chris Dedrick RIP

Example

Free Design

Example

Example

Listen -Free Design – Kites are Fun – MP3

Listen -Free Design – Jack In the Box Radio Spot – MP3

Listen -Free Design – Bubbles – MP3

Listen -Free Design – You Could Be Born Again – MP3

Listen -Free Design – 2002 a Hit Song – MP3

Listen -Free Design – The Proper Ornaments – MP3

Greetings all.

I just heard yesterday that Chris Dedrick, leader of one of my favorite pop groups the Free Design had passed away at the age of 62. He was living in Canada.
I was going to write something new, but realized that I’d already said what I wanted to about the group in this post from last year.
I am however adding a couple of tracks I haven’t had up in this space before, including what may be, if not the rarest track by the band, the weirdest, that being an early 70s commercial jingle for the Jack In the Box burger chain.
The quality isn’t fantastic, but I don’t imagine there are many copies of this one floating around, so take it for what it is.
If you haven’t picked up any of their stuff, iTunes features a couple of nice ‘best of’ comps, as well as all of the full albums.
My sympathies go out to his family.

Originally posted June 2009

The tune I bring you today has been sitting in my “to be blogged” folder for a while, waiting for just the right time to be posted. A few weeks ago a reader wrote asking if I would ever post said song, and since it was burning a hole in my hard drive, I took the request as a sign, said yes, and here we are.
Despite all evidence to the contrary, there was once a time where my taste for the twee side of pop was, for lack of a better term, undeveloped. If you had played a Free Design (or Curt Boettcher) track for my long-haired, Led Zeppelin listening to self, I would have choked on the sugar and perhaps beaten you soundly (though in that same period I was often stoned and sluggish, so you probably would have gotten beyond my grasp without much effort).
When I look back on it, this seems odd because the band that got my head into music in the first place was the hookiest of all, that being the Beatles. My sensibilities have always been hooks and harmony attuned, but like any youngster (which believe it or not I once was) I had a head full of roadblocks that only time and tide would erode. Now that I am at an age my 18 year old self would likely consider my dotage (I’m 46), many of those walls have been torn down, some by myself, some by the urging of others and some all by themselves.
If memory serves I first found my way to the Free Design via the mid-90s Japanese fascination with them and their sweet sounding ilk, via the pricey reissues put out by Cornelius, and the homage by groups like Pizzicato Five. At some point I got my hands on the compilation by Varese Sarabande, and my mind was, in short order, good and truly blown.
It’s only in the last few years that I finally acquired some OG Free Design vinyl (there are still a couple of albums I’m looking for) and I was pleasantly surprised that much of the material that I hadn’t heard yet was up to the standards of the ‘greastest hits’.
Like many of the groups I would group with the Free Design, like Sagittarius, the Millennium, early Paul Williams (all faves, and barely scratching the surface of the genre), I would hesitate to push them on anyone that wasn’t already somewhat attuned to the sound. The digestion of this kind of music requires a certain amount of context and preparation for proper appreciation. Where the Curt Boettcher sound is based in a conventional pop/rock setting, the Free Design drew from Now Sound and sophisticated harmony singing like the Hi-Los and the Swingle Singers before touching on rock tangentially, sounding like a high school swing choir led by a pop visionary. Though their arrangements were often dense with ideas, and the backing tight and energetic, at first listen some of their recordings sound like so much candy floss.
There were times when I was first exposed to the group where the music seemed to radiate earnestness that at times struck me as a put on. However, repeat listening, especially to the right songs, reveals that the group really had a lot going on.
Formed in the mid-60s by the Dedrick siblings (Chris, Bruce, Sandy, Ellen and Stefanie) the members of the Free Design came from a musical family. Their seven albums (most of which were released on Enoch Light’s Project 3 imprint) were a mixture of brilliant original material and interesting covers (Bacharach/David, Turtles), all delivered with the group’s intricate harmonies and backing from the same group of crack session players that recorded for Enoch Light’s other projects.
The tune I bring you today is the title track from their first LP, 1967’s ‘Kites are Fun’. An ode to the pure, childlike pleasure of kite flying – something that would have been assumed to have lysergic roots in other hands – ‘Kites are Fun’ features cascading, madrigal-like harmonies and a relatively spare backing (bass, tambourine, acoustic guitar and recorder), and lyrics that defy any attempt at interpretation on anything but face value. No one was going to hear ‘Kites are Fun’ and jump to conclusions that what the Free Design were blending their heavenly voices about was a euphemism for anything stronger that a little exercise in a windy field.
That vibe is one of the things I dig so much about the Free Design. Like the narrator in ‘Bubbles’ (featured in Iron Leg Digital Trip #18), the person singing about kites is undeniably a kid. This may be hard for someone from 2009 to understand, but Free Design were operating in an irony-free zone. This is not music delivered with a wink and a knowing smile. To paraphrase a then popular phrase, with Free Design, what you hear is what you get.
If you get a chance to scan their entire catalog, it is clear that they were capable of delivering more adult themes – they did a wonderful version of one of my fave Bacharach songs ‘Windows of the World’ – and despite the childlike subject matter, the music of Free Design was nothing if not sophisticated. If I ever get my hands on the rest of their records, I may have to do an all Free Design edition of the Iron Leg Digital Trip.
I hope you dig the tune, and I’ll be back later in the week with something Free Design-related.

Peace

Larry

Example

*Keeping things kid, on an episode of the very groovy ‘Yo Gabba Gabba’ I was surprised to hear a cover (with a short, animated video) of ‘Kites are Fun’ as performed by the Parallelograms. Back in the 60s the song was covered by another Project 3 artist, guitarist Tony Mottola.

PS Head over to Funky16Corners for some classical jazz funk (really).

Pizzicato Five – Twiggy Twiggy

Example

Pizzicato Five

Example

Listen/Download – Pizzicato Five – Twiggy Twiggy

Greetings all.

The tune I bring you today is by far the latest track I’ve ever featured on Iron Leg, and is a tune that I have loved since I first heard it back in the early 90s.
I don’t recall where I first heard Pizzicato Five, though it’s entirely possible that I read about them, and was interested in them as a concept long before their music ever reached my ears.
Though you’d never know it by reading Iron Leg, I have long been a fan of sample-based pop. It’s one of the few postmodern cultures that I really dig, and it has been a home for some of the most innovative musical minds of the last 35 years (taking it back to the early days of rap).
The concept of musical collage and the re-purposing of elements of previous recordings, sometimes reduced to the shortest drum break or loop, sometimes done with the heaviest and most unimaginative of hands (see Diddy, P), has had far reaching artistic and legal implications and in the right hands has produced some amazing music.
Going back to the original hip hop Djs like Kool Herc, Africa Bambaataa and Grandmaster Flash, who created on the turntables while cutting breaks, on through any number of non-hip hop artists (like Beck) and again to DJs like DJ Shadow and Cut Chemist the idea of stripping down previously recorded music and employing its component parts to create something new is probably the most important musical idea of the last 40 years.
It goes far beyond the artists mentioned above, and the concept extends beyond actual sampling into a kind of stylistic pastiche, in which some or all of the sampling is accomplished via creation and re-creation of a vibe.
Pizzicato Five, as part of the Japanese Shibuya-kei movement (along with another fave of mine, DJ Towa Tei of Dee Lite) took these ideas and ran with them, mixing it with a remarkable, high-style aesthetic in which the creation extends beyond the sound of the record and well into the performance and packaging.
This was of course nothing new, but Pizzicato Five elevated it to a whole new level.
The roots of Pizzicato Five go back into the early 80s, but I first became aware of them after Matador started to compile and repackage their releases for the US market.
The first song I remember hearing by them was ‘Baby Love Child’, which along with today’s selection appeared on the 1994 ‘Five by Five’ EP, which I originally picked up on CD.
I do recall seeing their videos at the time, which were an indispensable adjunct to the music. Hearing a song like ‘Twiggy Twiggy’ is one thing. Seeing the video that accompanied it (yes, I know, yet another postmodern concept, and a whole new bag as far as processing music goes) is another experience entirely.
In the case of Pizzicato Five, it’s probably necessary to take them in as a complete package, adding yet another iteration of postmodernism.
Using photography, costumes, visual and textual iconography, Pizzicato Five assembled a pastiche of the late 50’s/early 60s Jet Age that is composed entirely of its older component parts – fashion, design, architecture, cinema and of course, music – and yet also entirely new.
‘Twiggy Twiggy’, which samples Lalo Schifrin‘s ‘Man From Thrush’ , Dionne Warwick’s ‘Another Night’ and a snippet of the Ventures’ ‘Hawaii Five O’, is in its own way the ne plus ultra of what might have been had the cocktail/bachelor pad/tiki thing ever fallen into the right hands. I’d say that those hands belonged to the Pizzicato Five, but their catalog is much more than ‘Twiggy Twiggy’ reaching further into pop, soul, disco and electronica.
‘Twiggy Twiggy’ (which is actually a cover/restructuring of a 1981 version of the song by Pizzicato Five singer Maki Nomiya) contains within its four minutes a lightning fast, danceable panorama of the swinging 60s.
It’s like someone took the bossa nova, La Dolce Vita, Op Art, early discotheque culture (the Peppermint Lounge, Regine’s and Arthur), Swinging London, Blow Up, and yes, Twiggy, tossed it all into a blender and hit the frappe setting.
Those of us who had all those bits and pieces floating around in our heads, ‘Twiggy Twiggy’ was a revelation. Had it been more popular, we might all have been spared years of lame Austin Powers-isms, since it would have sucked all of that out of the ether before Mike Myers could have gotten his sticky hands on it.
It’s a mind blower, and I hope you dig it.

Peace

Larry

Example


*The first time I heard ‘Twiggy Twiggy’ I immediately thought I was hearing a sample of ‘The Cat’ by Jimmy Smith (also written by Lalo Schifrin). There are a number of on-line sources that suggest that this is true, but after listening to them side by side it sounds to me that the piece in question is not in fact taken from the famous version of ‘The Cat’ on Verve. The notes/pitch are different. I don’t know if the similarity is coincidental, or if a musician actually replayed the sample for the recording. If anyone knows for sure, please drop me a line.

PS Head over to Funky16Corners for a a new mix from the Funky16Corners Soul Club.

Follow

Get every new post delivered to your Inbox.

Join 1,088 other followers